REVIEWS

What could have been a fun tornado romp in the south ends up being just another uninspired sequel to a 90s classic.

A Family Affair may have an alluring cast, but their lack of chemistry and bland premise lets down this generic rom-com.

This Melbourne-based indie film is an immaculate character study and a promising debut from Australian director Andrew Walsh.

Challengers serves up a passionate love-triangle in what is a star-cementing performance for Zendaya.

A24 and Alex Garland collaborate once again to create one of the most controversial - and necessary - films in recent times.

The Beautiful Game is the epitome of a "fine" movie, never being too good or too bad.

Ghostbusters: Frozen Empire's bloated plot and tiresome references leave this new age of Ghostbusters as afterthoughts in their own movie

Gyllenhaal's reboot of Road House adds a modern spin to a cool classic, but if's hard to improve on something when very little is changed

John Cena gives a priceless performance as Zac Efron's imaginary friend, but that's about all Ricky Stanicky has to offer.

Madame Web feels like a bad superhero movie ripped out of the mid-2000's; an apt description considering this is set in 2003.

The Holdovers, despite its manipulative, ordinary story structure, proves that Alexander Payne still has a thoughtful dramedy left in him.

USA for Africa's contrasting personalities carry would could've ended up being just another forgettable, celebrity-driven puff piece.

Aquaman and the Lost Kingdom is a disappointing and fitting end to an already convoluted DC cinematic universe.

A24's The Iron Claw isn't afraid of pulling punches, showcasing the tragic world of pro-wrestling through the eyes of the Von Erich brothers

Ballad of Songbirds and Snakes attempts to rectify the mistakes of Mockingjay, only to fall into a trap where the plot is too much to handle

John Cena tries to make this unexpected sequel work, but its safe to say the Vacation Friends won't be travelling for a third time.

Oppenheimer is as explosive as the bomb its based on, managing to be captivating and raw in spite of its unjustified three-hour runtime.

Asteroid City rockets towards greatness, only to plummet back down to earth after leaving cohesiveness behind.

Mission: Impossible returns with a perfect balance of intriguing espionage and absurd stunts in what may be Ethan Hunt's greatest mission

The Flash is too fast for its own good, not taking its time to soak in the spectacle of what could've been a heartfelt self-reflection story